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(Not The) Singapore Venice Pavilion

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(Not The) Singapore Venice Pavilion
Architecture and Urban planning , Art
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The Substation
The Substation
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The Substation is Singapore’s first independent contemporary arts centre. Established in 1990 by the late Kuo Pao Kun, it is known for its pioneering and experimental arts programming. Over the years, The Substation has worked with some of Singapore’s most critically acclaimed artists, writers and intellectuals including Alvin Tan, Goh Boon Teck, Amanda Heng, Lee Wen and Kok Heng Leun. The Substation is a recipient of the National Arts Council’s Major Grant for the period 1 April 2017 to 31 March 2020.

Description

CASE COMPETITION
Closing date: 21 August 2017

The Persuasive Design Agency at The Substation is calling for proposal entries of alternative visions for the Singapore Pavilion at the 16th International Architecture Exhibition of La Biennale di Venezia 2018.

This competition aims to explore the future of the Biennale model, through the particular instance of the Singapore Pavilion. Competitors are encouraged to propose the broadest range of alternative visions: rituals, constructions, engagements, practices, materials, climates, atmospheres. Proposals should consider questions of scale, construction processes, waste and expense. The sourcing and shipping of materials (an expensive component of the current model), and the afterlife of all components should be carefully considered.

The competition is open to everyone. Architects, designers, artists, and students in particular are invited to participate, either as individuals or in teams, from Singapore or elsewhere.

Shortlisted entries will be exhibited as part of Discipline the City at The Substation from 23 August to 24 September 2017.

Issue and Challenge

Since 1980, the International Architecture Exhibition (Biennale Architettura) of La Biennale di Venezia has served as an exposition of leading ideas in the field of architecture. It is a moment in which an appointed director attempts to read—or, in the recent case of Rem Koolhaas, to go polemically against—the intellectual climate of the discipline. This professional mood is mercurial; variously, directors have promoted topics such as technology, sustainability, historicism, ethics, contextualism, and social engagement. National pavilions have sought to emphasize a particular issue or a facet of industry, all the while being photogenic and press-worthy. The Singapore Pavilion, for its part, has attempted to balance two aims: highlighting a facet of the nation’s socio-physical environment, and making a case for the global relevance of its architects.

This model, however, has started to appear problematic in a moment of global crisis. Ecological disaster, refugee crises, protectionism, and ideological drifts toward political extremism seem to pose a future where the utopian promises of technology and internationalism seem increasingly remote. While pavilions continue their traditional charm offensive—or pay lip-service to urgent global issues—they have failed to pose convincing responses to new technological, political, or climatic concerns. It is time to ask: can the “new” pavilion move away from national advertisement, toward new roles and engagements with the public? Can it question the assumption of “object-ness,” or “room-ness,” toward other ways of being?

Timeline

August 21, 2017
First stage entries to be submitted

August 23, 2017
Shortlisted teams will be announced

September 2 - 3, 2017
Three shortlisted teams will take part in an open, public workshop at The Substation. Teams will receive a mentor, and will work to develop the potentials of their concept for two full days. An unlimited number of additional participants may join the team for this event. The final submission will be submitted at end of day on 3 September.

September 9, 2017
Final presentation and judging round

September 10, 2017
Announcement of winners

PRIZE

First Prize: S$10,000 and zero official influence over the design of Singapore’s 2018 pavilion.

Runner-ups: S$2,000 each

JURY

To be announced

This Case Competition is run by the Persuasive Design Agency as part of The Substation's Discipline The City exhibition.

Have questions about the competition?

Email: persuasivedesignagency@substation.org

HOW TO APPLY

The application has both a digital and hard copy component.

1. Digital Component
Email the following to: persuasivedesignagency@substation.org
- An application form (Downloadable here)
- PDF submission of first stage entry. Including any drawings (plan, section, axonometric, other), perspective views, diagrams, or other images.

2. Hard copy component
- A1 board in landscape format, delivered to:
The Substation
45 Armenian Street
Singapore 179936

Community (1)

Xinman WANG

Modalities

Alone or as a team
Alone or as a team
Anyone
No age limit
Registration fees
Registration fees
All countries
All countries
English

Rewards

First Prize

$7 489

Runners-up

$1 498

Timeline

Asia/Singapore
03 August 2017
03 August 2017

Submission starts

Closing Date

21 August 2017
21 August 2017

Submission ends

Closing Date

No publication yet

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